Valley Light Opera

WELCOME!


For our 20th season, Valley Light Opera is going in a new direction -- with a new show, new audition format, and a new rehearsal schedule. But we're keeping all the best old VLO traditions--an adventurous (and slightly irreverent) spirit, an emphasis on fun and community, a mixture of old-timers and newcomers, and a lot of hard work to create a great show. VLO is one of the few all-volunteer musical theater groups in the Pioneeer Valley--over 100 people--and we're actively seeking new members. We hope to recruit a company which represents the diversity of our community!

THE SHOW

For our first major departure from the Gilbert & Sullivan repertoire, we will present Jacques Offenbach's Orpheus in the Underworld, a delightful spoof of classic mythology, set to the most delicious and best known of Offenbach's music--including the "can-can" theme made famous by the Folies Bergeres! Performances will be November 4, 5, 6, 11 & 12, 1994.

AUDITIONS

Auditions will be held on Saturday, May 14th from 10 a.m. to 3 p.m., and Sunday, May 15th from 1 p.m. to 4 p.m. Everyone sings on a first-come, first-heard basis. Call-backs for principals will be held on Monday, May 16th at 7:30 p.m.

All auditions will be at the Amherst Regional High School between Triangle and Chestnut Streets in Amherst, MA. Look for signs.

WHAT TO SING?

We have designed VLO auditions to be as simple and non-threatening as possible. We look for voice projection, intonation, musical quality, diction, and stage presence. An accompanist will be provided.

Chorus: If you are auditioning for a chorus part only, you will be asked to sing your choice from three well-known melodies: America the Beautiful, We Shall Overcome, or Happy Birthday. Copies of the words will be available. (There will be no group auditions this year.)

Principals: You will be asked to sing one verse of your favorite light opera or musical comedy number, and to read a few lines. For call-backs you will be asked to sing a standardized piece in your voice range, which will be available on Saturday and Sunday.

This year, principals will not try out for specific roles. Rather, the directors will cast roles based on your range and your singing and acting ability.

REHEARSALS

We have a new rehearsal schedule this fall. To avoid conflicts with some other groups, we will rehearse Monday and Thursday evenings, and Sunday afternoons, beginning in early September. The weekday rehearsals for chorus will be from 7:30 to 9 p.m. (with no break). Principals will have individual schedules--some evenings you will stay until 9:30 or 10 p.m., other evenings you will not rehearse at all. We will continue our VLO tradition of potluck food at Sunday rehearsals, 1 to 5 p.m. (They say the VLO travels on its stomach!)

Because we depend on each other, we take our rehearsal policy very seriously. If you are asked to join the company, you obligation is to attend all your scheduled rehearsals (except for sickness and emergencies), and be ready to rehearse at the scheduled time. Everyone who auditions will be asked to agree to this policy in writing.

CREW CALL

The backstage action is as exciting and inportant as the music--and everyone gets their name in the program!

Costumes -- We are famous for our costumes, which we sew during rehearsals and on weekends.
Sets -- Construction and painting on weekends--we supply pizza and subs!
Lighting -- Makes the magic of sets, costumes, make-up come alive!
Make-up, publicity, ushers, tickers, programs, props, banner painting, souvenirs . . . (you get the idea).

Join us for the whole fall or just a few hours.

THIS YEAR'S PRODUCTION STAFF

James Ellis, Stage Director
Michael Greenebaum, Music Director
Nancy Clydesdale, Producer
Al Hudson, Producer
Elaine Walker, Associate Producer

SYNOPSIS

Instead of being a devoted pair as in classical myth, Orpheus and Eurydice can't stand each other. Eurydice, in love with the shepherd Aristeus (Pluto in disguise) is killed by one of the poisonous snakes Orpheus had scattered about to keep her lovers away, whereupon Pluto happily whisks her down to Hades. Orpheus's delight is short-lived, however, as Public Opinion orders him to seek his wife's return. Meanwhile, on Olympus, Jupiter, also enamored of Eurydice, has sent Mercury to Hades to order Pluto to appear before him. Pluto hotly denies the charge of abducting Eurydice, but the dispute is interrupted first by a rebellion of the other gods and then the appearance of Orpheus, still prodded by Public Opinion into seeking reunion with his wife. Jupiter consents and decides to go to Hades to see that Pluto obeys. The revolting gods clamor to go along too.

In Hades, a bored Eurydice has been locked in a boudoir, where Cupid, with his Love Police, discovers her and arranges for Jupiter to get to her by transforming him into a fly. Jupiter and Eurydice plan to escape together during the party Pluto is giving in Jupiter's honor, but they are intercepted just as Orpheus and Public Opinion arrive. Jupiter stipulates that Orpheus not look back at Eurydice as they leave the Underworld, then tricks him into doing so. He bestows a final blessing on the unhappy couple, however, by making Eurydice a bacchante in the worship of Bacchus forever.

Act I takes place in an Arcadian meadow; Act II on Mount Olympus, where the gods are sleeping in clouds; and Act III in Hades, where feasting and revelry are the rule.

CHARACTER SKETCHES

(in order of appearance)

Chorus. In Act I, mostly shepherds and shepherdesses (while some form a Town Council of Elders). In Acts II and III, gods and goddesses (perhaps a few serve as Diana's nymphs in Act II).

Public Opinion, mezzo. Medium-sized role; vocal range B-flat to high F. Traditionally played as a male character, but need not necessarily be so. Self-important, dictatorial, rigid, assertive, humorless, not young. He/she carries a whip.

Eurydice, soprano. Large, demanding role. Requires strong high B-natural and secure technique. Fickle, restless, flighty, passionate, moody, vivacious, sharp-tongued, perhaps naive withal, toothsome (at least in the eyes of Pluto and Jupiter). She carries flowers.

Orpheus, tenor. Large role; vocal range requires high G with optional high C. Emotional, lyric, self-indulgent, irresolute, superficial, perhaps feckless, with an "artistic temperament." He carries a violin.

Aristeus/Pluto, tenor. Large role; vocal range requires high G. Suave, amooth, calculationg, manipulating, devious, elegant. Delights in role-playing. Handsome in the eyes of Eurydice. Possibly swarthy and dark, or possibly not. He carries a two-pronged pitchfork.

Venus, soprano. Small role; vocal range to high A. Sassy, voluptuous?

Cupid, mezzo. Medium-sized role; vocal range B-flat to high A. Breezy, lively, clever, irreverent, smallish. Considerable speaking as well as singing.

Mars, baritone. Small role. Swaggering, beefy, arrogant.

Jupiter, bass/baritone. Large, demanding role; vocal range E to high F-sharp (could be performed by a true bass with a low E). Imperious, proud, authoritarian, decisive, impressive (or at least tries to be), grand, condescending, scheming, irascible. He carries a thunderbolt.

Diana, soprano. Medium-sized role; vocal range from D to high B. Charming, emotional, must show considerable range of feeling from plaintive to sprightly to dignified.

Juno, mezzo. Small role; vocal range D to F-sharp. Suspicious, determined. More a speaking than a singing role.

Mercury, tenor. Small but choice role. Peppy, lively, facile. Must be light on feet and have superb diction and breath control.

FOR MORE INFORMATION . . .

Cami Elbow, (413) 549-0024
Louise Krieger, (413) 665-4359

For 19 years we've done G&S well.
For our 20th year we're going to...

_______________________________________________________________

You may wish to return to the VLO Home Page.

Send Questions/Comments to: info@vlo.org